In January 2025, the Palm Beach Post’s editorial page editor Tony Doris decided to run a political cartoon about the hostages being released from over a year of captivity in Gaza by the terrorist organization Hamas. Doris, who is Jewish, somehow thought that politicizing the kidnapping and torture of innocent civilians was appropriate. The cartoon itself, places no blame or responsibility on Hamas, who invaded Israel, murdered, raped, beheaded, kidnapped, and tortured those they encountered. Even the headline, “a year of merciless war” is clearly a political mistatement as there was no war until Hamas invaded on October 7, 2023 and kidnapped the hostages. It doesn’t reflect any of the terrorists killed in the 40,000 number or any of those killed by Hamas. It is a symbol of the increased Jew hatred and what is wrong with our media.

The Jewish Federation of Palm Beach immediately addressed the cartoon, taking out a full page ad in the newspaper the following Sunday. Gannett, the owners of the newspaper, took the allegation seriously and met with leadership to address the publication of the cartoon, even admitting that the proper protocals were not followed and had they been followed, the cartoon would not have run. They suspended Doris and investigated the situtation before firing him a week later for violating company policy.

“The cartoon did not meet our standards. We sincerely regret the error and have taken appropriate action to prevent this from happening again.” stated Lark-Marie Anton, a Palm Beach Post spokesperson.

Yet it was not until this week, the first week of March, that the firing became public. Both Doris and Jeff Danziger, who drew the cartoon, gave the typical pithy defense. They were criticizing war. They were criticizing the policy of the Israeli government. One is a war veteran so he ‘knows’ what he is talking about. The other is Jewish and believes Israel has a right to exist (but not to defend herself when attacked and not to hold those who invade, murder, rape, kidnap, and torture civilians responsible). Thankfully the leadership of the Federation spoke up. Thankfully Gannett didn’t buy the BS being offered this time. It’s a big deal and shows what standing up and speaking out can do. Neither Doris or Danziger will ever understand what was wrong with the cartoon and choosing the publish it. Neither will ever admit the inherent Jew hatred in drawing and publishing the cartoon. They were held accountable for their actions, which is a big change from what we have seen since October 7th.

To understand how disgusting the cartoon and the hatred that is behind it really are, read the article about the interview with Eli Sherabi, released after 491 days of captivity. A few highlights. Near lynching (by civilians). Starvation. Beatings. Monthly showers with a half a bucket of cold water. “A year and four months shackled by my legs, with chains that wrap around me, with very, very heavy locks that tear at your flesh.”

His interview has gotten no publicity in the United States. His description of the horrors he faced are not a main story. The evilness of Hamas is not on display because the media doesn’t think it will sell. I urge you to read the interview. It is hard to read, hard to imagine what he and the others endured, hard to believe the world sat idly by. The Red Cross and UN are proven to be worse than I even thought when I think of how complicit they are in what he and others endured. If Eli could endure his captors’ torture, the least I can do is speak out. The least I can do is use my voice and fight back against the Jew hatred. I have the easy part. Any time I think what I have to do is difficult, all I have to do is reread the interview and remember what Eli endured is hard. The rest is not.

The stupidity of antisemites never fails to amaze me. I saw this exchange and rather than make me angry, it made me laugh and cry just a little bit. It’s like those who deny Jews lived in Israel and Jerusalem before Islam and can’t understand why we built a holy wall for our Temple beneath Dome of the Rock and Al Aqsa Mosque.

If I had to bet, lorrie is either a bible thumper who can quote the story of the sale of Joseph into slavery and his interpretation of Phaoroah’s dreams or a major fan of broadway who has seen Joseph and the Amazing Technicolor Dreamcoat multiple times. Yet can’t put two and two together.

I wrote about the Academy Awards and specifically about the accusation made by Basel Adra, one of the Directors of the award winning film, No Other Land. Since then, as result of Adra’s blatent lie, accusing Israel of ethnic cleansing, I have done a little bit of research into the story behind the movie. What I have learned is fascinating. It also both debunks the premise of the movie and highlights just how prevelant antisemitism is in Hollywood and how much they like to promote lies about the Jewish homeland. This is what was written about the movie and the story they tell.

The Film ‘No Other Land’ Sparked Significant Controversy.

In reality, the film is based on a complete Palestinian falsehood known as “Masafer Yatta.”
Let’s talk about it for a bit.

First of all, the film tells the story of Masafer Yatta. The film attempts to convey the narrative that Palestinians have lived there for hundreds of years and that Israel suddenly decided to evict them.
In reality, this was abandoned land that nomadic Bedouins occasionally used for grazing and sometimes took shelter in the caves there. 

In fact, Palestinian construction in the area only began in the 1990s. Before that, there were caves that Bedouins used as seasonal dwellings.  The most important point: Until 1993, the Israeli Air Force conducted attack training in the area. These were full-scale military exercises—of the kind that made permanent residence impossible. This fact alone proves that no permanent settlement existed there.

Only in 1999 did Palestinians file a petition with the court. The simple reason? Until then, the area was of no importance to them, and no one lived there permanently. It’s also worth noting that even afterward, they never presented any ownership documents.

Summary:
Palestinians have never provided evidence that the area belonged to them. Even more striking, it was only many years after the military had been active there that they began constructing homes.

Attached is a screenshot of the court ruling, with an English translation:
ynet.co.il/news/article/r…

בג”ץ: אפשר לפנות מאות פלסטינים המתגוררים בשטח אש בדרום הר חברוןבתום מחלוקת ארוכת שנים, דחה בג”ץ שתי עתירות של פלסטינים החיים בשטח שנמצא בשליטת צה”ל. השופט מינץ קבע כי “ערב ההכרזה על שטח אש לא היו מגורים קבועים בגבולותיו”, אך הוסיף כי העותרים יוכלו להיכנס לאזור לצ…https://www.ynet.co.il/news/article/ryxs6swuq

The judge rebuked the petitioners for exploiting the legal battle to continue illegal construction,
even though the court had conditioned its injunctions against demolition on a halt to further illegal building.

In other words: All the demolition footage was staged. They built in a prohibited area precisely so that the IDF would demolish their homes, allowing them to document and publicize it. 

A side note relevant to the previous point:

At 11:15 in the film, they explicitly discuss their strategy to prevent what they fear most:
“I think we can stop the eviction. It will happen if we document and work on the ground.”

It’s astounding how openly Palestinians reveal their well-worn tactic that Israel has been blind to for years: provoking a confrontation, standing by with cameras, and capturing the perfect moment. This is textbook Pallywood. Anyone familiar with Palestinian tactics—not Westerners unfamiliar with their methods—knows that this means: “Let’s stir up trouble, capture the perfect moment, edit around it, and publish.”

This is the same trick they’ve used thousands of times: A soldier turns his rifle, they freeze the frame the moment it’s aimed at a civilian, and they frame it as if he is targeting an innocent bystander.

By the way, the Arabic word ‘Masafer’ means ‘nothing.’ Many believed the area was worthless. 

What bothered me personally the most was the use of children.
And it’s a shame Hollywood enables this.
The same way they arm their children and encourage them to commit acts of terror,
The same way Hamas builds tunnels under schools,
The same way they always send their children—whom they love less than they hate us—into the line of fire, hoping they’ll get hurt so they can parade them in front of cameras,
That’s exactly how children were used in this film.

Why use children and force them to live in a conflict zone solely for political purposes? 

Did you know they even stole the film’s title from the Jews?

https://twitter.com/GAZAWOOD1/status/1896607745949773832

Summary: Why are Palestinians trying to seize Masafer Yatta?

The Palestinian push to take over Masafer Yatta is not coincidental and not simply a ‘survival struggle’ as international media portrays it. This is a well-planned strategy motivated by demographic, political, and territorial considerations in the battle for control of the West Bank.

1. Creating ‘facts on the ground’ as part of the fight for Area C
2. Masafer Yatta is in Area C—territory under full Israeli control according to the Oslo Accords.
3. The Palestinian Authority knows it has no official authority there, so it promotes illegal construction to establish footholds and turn them into permanent settlements.

The goal?

1. International pressure leading to de facto recognition of Palestinian control over the land. 2. Establishing Palestinian territorial continuity and breaking Jewish settlement
3. Masafer Yatta lies between southern Hebron and the Negev—a strategic area linking West Bank 4. Palestinian communities with Bedouin populations in the Negev.
5. Palestinian control there isolates Jewish settlements, preventing Jewish territorial continuity between the Negev and the Hebron region.

European Union & international support

1. The EU directly funds illegal Palestinian construction in the area, despite it being a designated military firing zone.
2. Palestinians receive financial and logistical aid from European left-wing NGOs looking to push an anti-Israel narrative by manufacturing a “forced eviction crisis.”

Exploiting legal and media platforms

1. Palestinians use courts and media to frame the issue as “forced displacement of traditional residents,” even though the area was historically used only for grazing, not for permanent settlement.
2. Branding the conflict as a ‘human rights project’ recruits global support and hinders Israeli sovereignty enforcement.

Conclusion: This is a strategic battle, not a defense of ‘ancient villages.’ The Masafer Yatta narrative as “historical villages” is not backed by facts—permanent settlement began only in the 1990s. The real goal is political: To create Palestinian territorial continuity, isolate Jewish communities, and weaken Israeli control over Area C. The use of media and courts is a calculated move to generate international pressure and solidify Palestinian presence as an irreversible reality.

This isn’t about “another Israeli injustice”—it’s a deliberate strategic operation backed by European funding and a manipulated narrative. 

To mock this film and the way it takes lies and spins it into truth, a fake sequel was created based on October 7th. It is ironic, sad, pathetic, anger inducing, and ultimately a good view into how the world enables terrorists to tell lies to advance their Jew hatred.

How do you wrap up a post that starts with a horrific cartoon, has an interview with a released hostage that documents how he was terrorized, beaten, and abused, has a small bit of humor, and thencalls out the lies of an Oscar winning movie? What can possibly sum it all up? I wasn’t sure as I wrote or as I thought how this post would end. And then I saw and listened to Gal Gadot at the ADL conference today. I am not going to comment on it, break it down, or analyze it. I am going to let you listen and feel the impact of her words. We can stand up and speak out. We must stand up and speak out.

My name is Keith. I’m a father, a husband, a brother, a son, a professional, American, a Zionist, and I’m Jewish. I’m going to say it again. My name is Keith and I am Jewish.